Contesting the myths of samurai baseball:cultural representations of Japan's national pastime

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作者:Christopher ; T. ; Keaveney

出版社:Hong Kong University Press


出版地:Hong Kong


ISBN:978-988-8455-82-9 ; 988-8455-82-6

Almost right from the introduction of baseball to Japan the sport was regarded as qualitatively different from the original American model. This vision of Japanese baseball associates the sport with steadfast devotion (magokoro) and the values of the samurai class in the code of Bushidō, in which greatness is achieved through hard work under the tutelage of a selfless master.
In Contesting the Myths of Samurai Baseball Keaveney analyzes the persistent appeal of such mythologizing, arguing that the sport has been serving as a repository for traditional values, to which the Japanese have returned time and again in epochs of uncertainty and change. Baseball and modern culture emerged and developed side by side in Japan, giving cultural representations of this national pastime special insights into Japanese values and their contortions from the late nineteenth century to the present day. Keaveney explains the origins of the cultural construct “Samurai baseball” and reflects on the recurrences of these essentialist discourses at critical junctures in Japan’s modern history. Since the early modern period, writers, filmmakers, and manga artists have alternately affirmed and debunked these popular myths of baseball. This study presents an overview of these cultural products, beginning with Masaoka Shiki’s pioneering baseball writings, then moves on to the long history of baseball films and the venerable tradition of baseball fiction, and finally considers the substantial body of baseball manga and anime. Perhaps what is most striking is the continuous relevance of baseball and its values as a point of cultural reference for the Japanese people; their engagement with baseball is a genuine national love affair.

Christopher T. Keaveney’s research revolves around modern Japanese culture and cultural relations between China and Japan. He is the co-chair of the Asian Studies program and a professor of Japanese in the Department of Global Languages and Cultural Studies at Linfield College in McMinnville Oregon.

  • Acknowledgments(第10页)
  • Introduction: Myths of Japanese Baseball and the Game’s Cultural Representations(第13页)
  • 1. Samurai Baseball: The Popular Press and the Making of a National Pastime in Meiji and Taishō Japan(第30页)
  • 2. Portrait of the Artist as Yakyū Seinen: Masaoka Shiki and the Poetry of Baseball(第49页)
  • 3. Coming Home: Portraying Japanese Baseball on the Silver Screen(第73页)
  • 4. The One Constant: The Literature of Nostalgia and Catharsis in Postwar Japanese Baseball Fiction(第105页)
  • 5. Game On: Encounters with the Magic of Baseball in Japanese Postmodern Fiction(第135页)
  • 6. Happy Medium: Re-envisioning the Hero in Japanese Baseball Manga(第163页)
  • Epilogue: The Enduring Cultural Appeal of Baseball in Japan(第194页)
  • Appendix: Glossary of Selected Terms in Japanese(第215页)
  • Works Cited(第228页)
  • Index(第235页)